Sunday, December 23, 2012
Essay on Bill Crow's Jazz Anecdotes
Essay on Bill Crow's Jazz Anecdotes
The book “Jazz Anecdotes” by Bill Crow enabled me to know more about the difficulties that the first jazz musicians had to deal with as they were trying to make jazz music become recognized and accepted by the people. The book allowed me to better appreciate the period when the people were still rejecting jazz as an acceptable form of music for them. Crow was able to make sure that the accomplishments of the of the best jazz musicians would be emphasized in the book, particularly the efforts that they exerted to make sure that jazz music would become appreciated by society up until the present time. The information provided by Crow regarding the achievements of the legendary jazz musicians definitely made the book very exciting to read, and I certainly learned many important lessons from the lives of these jazz musicians and the efforts that they exerted to promote jazz music.
The book indicated that the early jazz musicians had to face the problem of not being able to go to schools to study and learn music. Their families did not have enough money to send them to school, but this was not enough to prevent them from still pursuing their ambition to become an excellent jazz musician. One of the jazz musicians who were able to get my attention was Erroll Garner. He was the best example that proved that failure to have formal education in music was not a hurdle towards becoming an excellent jazz musician. Garner was blessed with the skill of being able to quickly learn any music that he was able to hear. I was able to appreciate the life of Garner because he was very unique and beat all the obstacles that he had to face very early in his life to become one of the most well respected jazz musicians in the world.
I also discovered that there were jazz musicians who had to face issues regarding alcoholism because it became their belief that this habit helped them to deliver excellent performances. They also faced the opposition of the Protestants who did not think that jazz music was worth appreciating at all. The Protestants made sure that jazz music would not be played anywhere during the 1920s as they were convinced that listening to this type of music would not do anything good for the people (Crow, 2005). For me, I could already feel the disappointment of the jazz musicians as the type of music that they were promoting was already judged unfairly using baseless ideas and perspectives. It must have been extremely frustrating for them to be treated like criminals simply because they were promoting jazz music.
At the same time, Crow mentioned that it was hard to get the support of club managers and record producers to patronize jazz music. They did not have confidence in jazz music and doubted if it would have any impact or appeal to the people. Because of this, the early jazz musicians needed to work extra hard so that they can still promote jazz music to the people. They did not stop believing in the kind of music that they were promoting even if many people did not appreciate them. They always had the confidence in themselves and in the kind of music that they were trying to spread to society. Their hard work will not be wasted because jazz music would eventually evolve into one of the best types of music in the world, and it remains very influential and well appreciated even until the present day. Credit must be given to people like Louis Armstrong, Bessie Smith and Benny Goodman who made sure that jazz music would never be forgotten by society.
Crow, B. (2005). Jazz Anecdotes: Second Time Around. New York, NY: Oxford University Press
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